The entire collection of Multiphonics CV‑2 modules
Tried and true wave shapes with FM and hard sync capabilities.
Simple VCO with waveform and sub FM morphing.
Noise generator with unique density control and filtering options.
Converts a trigger signal into a pulse with adjustable length and amplitude.
Synchronizes other modules with Swing and Tempo which can be modulated.
Gate and CV outputs for melodic patterns or complex modulation curves.
Eight-step sequencer designed to trigger other modules in a rhythmic pattern.
Splits an audio signal for multiband audio processing.
A one-band equalizer that can work in low-shelf, peaking or high-shelf mode with audio-rate modulation.
A low-pass topology found in many popular and vintage synths with built-in distortion.
A unique filter providing acoustic character and warmth.
A highly versatile design with low-/high-pass balance and a unique growl feature.
Accurate and transparent all-pass filter with audio-rate FM input.
Accurate and transparent band-pass filter with audio-rate FM input.
Accurate and transparent high-pass filter with audio-rate FM input.
Accurate and transparent low-pass filter with audio-rate FM input.
Accurate and transparent notch filter with audio-rate FM input.
Four segment envelope generator with linear/exponential mix control.
A simple go-to module packed with features.
Provides four distinct voltage sources with uni- and bi-polar outputs.
A compact pair of 3-channel mixers for stereo duties or distinct signal paths.
A 5-channel monophonic mixer that can be used for audio or CV signals.
A plain 8-channel mixer with a minimal footprint.
A 5-channel mixer with bipolar gain control.
A 5-stereo-channel mixer with balance control for each channel.
Combines a bit and sample rate reducer for a lo-fi digital character.
Multi-purpose waveshaper for CV signals.
Stereo rectifier with bias control.
Distorts with a selection of curves and a bias control.
A West Coast synthesis staple. Adds harmonics by folding the portion of a waveform above a certain threshold.
A West Coast-inspired waveshaper. Adds harmonics by wrapping the portion of a waveform above a certain threshold.
Biases an audio or CV signal by adding or subtracting a voltage.
Compares and sorts CV or audio signals.
Switches between signals following linear, constant power, full-scale, or quantized crossfade curves.
Delay with feedback filtering and external insert.
Limits the rate of change of a CV signal as to create a glide effect between consecutive notes.
Inverts gate, envelope, LFO, and audio signals.
Converts a stereo audio signal into its mid and side components.
Handles boolean logic for gate signals.
Converts a mid/side encoded signal back into a stereo one.
Places a monophonic audio signal in a stereo field.
Takes any CV signal and quantizes it to the closest enabled musical note.
Stores the voltage value of an input when the Gate input is triggered.
Divides or multiplies the amplitude of an audio or CV signal.
Softens the waveform of the input signal by limiting its rate of change.
Handy utility to improve an audio signal’s stereo imaging.
A west coast style VCA combined with a low-pass filter.
Modulates the amplitude of a signal with a CV gain signal.
A small and convenient oscilloscope for visualizing waveforms and signals in general.
Converts the incoming MIDI signals into CV signals ready for use in a patch.
Routes up to four audio signals to the DAW or to the audio interface with panning, delay and reverb.
Provides 4 automatable macro knobs that produce fixed voltages.
Main clock and synchronization source for other modules.
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