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ACOUSTIC FILTER & DELAY
Objeq Delay is a creative delay unit with unique filtering options thanks to our acoustic object models. Going beyond traditional delay duties, Objeq Delay delivers modulator type effects, drum track layering, one-shot re-crafting, dynamic loop mangling, and drones…
$139 $69
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Every now and again, you come across a plug-in that genuinely changes the way you work and becomes—for whatever period of time—your first choice plug-in, and that may be a week or a month or a year, it’s one of those plug-ins. I’m not gonna say the word game changer, we are not going to do that, but it’s a game changer.
Fully functional. Less than 16.0 MB to download. Seconds to install.
Objeq Delay kits out an extensive Delay module. Whether it’s for psychoacoustic effects, slap, rhythmic, or super lush space-out echoes, with modulation and feedback filters, Objeq Delay covers the whole gamut of delay possibilities.
A tempo synchronized delay with an initial quarter note triplet holdup followed by eighth note triplet repeats all spiced up with ping pong and a tiny bit of modulation for depth and thickness.
The low-cut filter and Drumhead object supply upper harmonic excitement time-shifted by a dotted eighth note and followed by straight eighth note repeats.
A slowly modulated Plate object treats these eighth note repetitions with a sweet throatiness.
Here the heavily modulated Balance sets the pulsing gate effect, the eighth and quarter notes split delay adds rhythmic complexity while the Beam object contributes to the low end.
Objeq Delay boasts a comprehensive LFO with a full list of modulation destinations that allows the creation of chorus, flanger, vibrato, tremolo, and auto-filter modulation effects.
a moody, slowly modulated chorus with extra shaping from both the filter module and feedback filters.
This buzzing sawtooth quivers along the Drumhead object and a slight flange provided by a short modulated delay.
This is pure delay line modulation that provides a fairly fast 100% wet palpitation.
This is new-acid filtering—and it's the slowly modulated Beam object that’s up for the task.
Objeq Delay really augments the life of rhythmic loops. While the resonator is made as a new pulsing element, the delay module, with its independent first and subsequent repeats, answers the source’s original invitation—working together to create complex and intricate new beats.
The Plate and Filter work on the high frequency band while the split-time delay creates a new elastic hi-hat riff.
With the String's square-modulated Frequency and dotted 8th repeats, Objeq Delay creates a bouncy bassline from this drum loops.
The Plate, split-time Delay (8th and dotted 8th), and square-shape LFO all contribute to this added percussion layer.
Three Objeq Delay buses are use to create these snare, hi-hat, and percussion parts from the same kick source.
Objeq Delay’s resonators can transform kick tracks in many interesting ways—add boom decays or snap attacks in skin, plastic, wood, or metal flavours.
By carefully tuning Objeq Delay’s resonator to the fundamental frequency of the source, the Decay parameter can effectively extends the resonance.
Here the Plate resonator is tuned to a fifth (1.5× the fundamental frequency of the source) for tremendous punch—a neat trick to make your kick translate well on all sound systems.
This one keeps only the very top end of the Drumhead resonator to add an extra layer of bite.
Synchronized to the 16th note, the LFO modulates the Drumhead's frequency for a wobbling sound effect.
Like kicks, snare tracks are prime candidates for Objeq Delay’s resonators. The objects layer in weight, body, an acoustic ring, or a snappier attack showing no prejudice whether your source material is acoustic or electronic.
Objeq Delay blends in the Drumhead object tuned and tweaked for a snappy metallic midrange tone.
Here’s the Drumhead again playing the counterpart with a fat woody timbre.
Here the Plate object is tuned to a sub harmonic to create a larger than life snare.
Fast random modulation of the delay time and the String's filtering combine for this watery effect.
With high resonance and modulation, Objeq Delay’s resonator forms ever evolving drones that reacts to the source material in a related but often unrecognizable fashion.
The Plate at maximum decay and the slow modulation of the echo time with full feedback spawn this wailing cry.
A 55 Hz Drumhead at spun-out decay plots together with a slowly modulated ping pong delay to devise this thunderous rumble.
With gobs of feedback on the delay, the Plate’s never-ending decay throbs at its lowest setting to completely transmute the synthesizer pad source.
This midrange twirl is a courtesy of a slowly modulated String object and a good amount of filtered feedback delay.
Expert sound designer Richard Devine brings his touch to Objeq Delay with a comprehensive set of presets that explore the extremes of the effect with all kinds of new and interesting sonic transformations.
With the Plate object in action and a little help from the Filter module, the slow, heavy, and random modulation of the delay time renders the glitch effect in and out of the loop.
With random modulation of the String object’s Frequency parameter, Objeq Delay adds a troubled bass accompaniment to the source loop.
Some more random modulation of the delay time while the Drumhead object complements the stuttery effect with extra low end enhancement.
The randomly modulated Beam object's Frequency brings a new tone to the table while the Delay's split times and Ping Pong mode expand the loop by adding complexity and depth.
Objeq Delay is very unique effect that imposes acoustic resonances as well as dual delays to the signal in real time, which opens a lot of sonic possibilities. I've been using it on different percussion sources and loops. It creates fantastic glitchy delays and swarming metallic drones, which can all be automated or modulated with the built-in LFO. It's already getting used on all of my sound design sessions.
Sound designer and steampunk audio inventor Martin Walker pushes the boundaries of Objeq Delay, discovering fresh and exciting possibilities while retaining loads of musicality.
Here the synchronized square LFO modulates the Drumhead object’s Frequency to create two percussive instruments while the dual delay adds rhythmic complexity to the source loop.
The String object at its lowest frequency combines with a synchronized 16th note ping pong delay to layer in a super low stereophonic throbbing rumble.
Here the String object tuned to a low A creates a kick-trigged bass line while the delay infuses a galloping groove.
With extreme random ramp modulation applied to the delay time, the String filtered signal gets added to the original loops for an out of control swarm of delay bleeps.
I’ve always been a sucker for effects that let me explore new sonic horizons. Objeq Delay doesn’t just repeat the obvious, but can also totally transform the input signal in so many rhythmic yet unusual ways. I’ve been amazed at the sounds you can coax from it, from phantom instruments to scintillating electronic workouts. Freaky or subtle—the choice is up to you!
Learn more on how to use Objeq Delay
A complete video series of tutorials on Objeq Delay. Learn all about the ergonomics, the modules, and the sound of our acoustic filter and delay plug-in.
The community has good things to say about Objeq Delay…
Transporting classic effects to previously unheard worlds.
Interaction between the two delay lines lets you create innumerable rhythmic variations, but what makes Objeq Delay unique is the interaction between the modules. Applying LFO modulation to parameters such as Object frequency, material, or formant can generate effects difficult to reproduce with other processors.
Every now and again, you come across a plug-in that genuinely changes the way you work and becomes—for whatever period of time—your first choice plug-in, and that may be a week or a month or a year, it’s one of those plug-ins. I’m not gonna say the word game changer, we are not going to do that, but it’s a game changer.
I was fortunate enough to use this plugin during the development cycle and it truly does sound fantastic. At first, I wondered why I would need another delay plugin in my toolbox but quickly found out that Objeq is not your average delay plugin. I’ve been using it in both my production and mixing sessions with amazing results.
Objeq delay is a plug-in like no other. It’s a marvel of innovative thinking that may or may not inspire you, but I heartily recommend checking it out so that you may decide that for yourselves. Some of you, I can almost guarantee, are going to fall in love with it.
Objeq Delay is the most fun I’ve had using an effect—hardware or software—in years. Strymon could put this functionality in a piece of hardware, release it as a limited edition, and it would be fetching four-figures on Reverb.com. If you are a creative musician, you need this effect! Boom!
As the preset banks that come with the device would suggest (particularly the stuff that Richard Devine put together for them), this is a deep and subtle piece if kit.
Objeq is perfect for anyone looking for a distinctive delay that is musical, inspiring, and sui generis. I give this fine effect an affectionate double thumbs up—Love it! Thank you, Applied Acoustics Systems, for developing this effects gem!
Objeq Delay is compatible with nearly all DAWs.
Ableton
Apple
Apple
Apple
Avid
Bitwig
BandLab
Cockos
Image-Line
MOTU
Native Instruments
Native Instruments
Presonus
Reason Studios
Steinberg
